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My name is Julien Moreau.
I spent twenty years walking wires for Cirque du Soleil. Headliner. Catch specialist. The guy you trusted to grab your wrist mid-air and not let go. I was born into the life, second-generation performer, raised on chalk dust and calluses. By the time I was ten, I could rig a harness blindfolded. By twenty-three, I was flying nightly under Vegas lights. They called me "the anchor." Not because I was heavy, but because I held everyone else in place.
It was supposed to be forever. The stage. The rhythm. Her.
Anca Vasile was my wife. Aerialist. Star. Force of nature. We built something up there together, acts, trust, a whole mythology. Until the trust cracked. And the mythology turned into a routine I didn't believe in anymore.
The day I saw her with someone else-
Chapter -- "Above It All"
(POV: Julien)
It was supposed to be a routine inspection. Final pass before curtain. I had done it a thousand times before. Boots on steel. Eyes up. Harness unclipped because I trusted my footing more than the rig. The catwalks ran like veins through the ceiling, and I moved through them with muscle memory. No spotlight. No audience. Just the creak of cable under tension and the faint scent of rosin and metal dust.
Halfway through, I saw them. Just movement at first. Two shapes beyond the spotlight spill. I thought it was a rigger and an aerialist rehearsing something last-minute. Happens all the time. But the moment I stepped quietly onto the upper platform and looked down, I saw the truth. It was Anca. My wife. Her hands on Léo's chest. His lips on hers. Their bodies pressed together like no one was watching.
They were twenty feet below, near the anchor point of the secondary lift line. Just close enough to be seen if you knew the angles. I didn't make a sound. Didn't grip the rail tighter. Didn't breathe too hard. Instead, I scanned the mounts. Checked the weight distribution. Logged the tension offset. I did my job. Even as the world tilted sideways beneath me, I clung to the process. One bolt. One wire. One breath at a time.
People think heartbreak makes noise. Glass shattering. Yelling. Thunder. But mine sounded like a rigging latch locking into place. Finality has a click. You either hear it or you don't. I did.
I climbed back down through the shadows, avoiding the spotlight spill. I passed within ten feet of them. They didn't even look up. Didn't even sense me. Maybe that was the part that hurt the most. How easy it was for her to forget I was part of this world. This stage. Like I had already been replaced. Both in the act and in her life.
Back in the workshop, I scrubbed the grease from my hands like it would take the betrayal off too. I didn't cry. I didn't scream. I just sat in silence for almost an hour. Then I logged my final clearance report and walked up to the producer's office with the transfer papers in hand.
Frank Delaney, showrunner and fixer of all mid-tier catastrophes, glanced up from his espresso and frowned. "Montreal?" he said, blinking. "You serious?"
"I don't joke on paperwork," I said.
"Is Anca going with you?"
I met his eyes for the first time. "No. Just me."
He hesitated, like he wanted to press. Maybe ask why. Maybe talk me down. But then he saw something in my face. Or didn't see something. Either way, he let it go.
"You'll be missed," he said finally.
"No, I won't," I replied, and walked out the door.
That night, I didn't pack everything. Just took what I needed. My tools. My name. And the part of me that hadn't completely broken yet. She could keep the spotlight. I would take the shadows. At least they were honest.
Somewhere high above, the rig held steady. Bolts locked. Lines taut. Everything in its place. Except me.
Back at the apartment, I laid my harness across the kitchen counter. Not folded. Not packed. Just draped over the cold tile like something recently removed from a body. The buckle was still warm from my hand. I didn't sit. I didn't turn on the lights.
I moved through the space slowly, pulling essentials from drawers and shelves. Tools. Gloves. The photo of my parents mid-flight, still clipped to the fridge with a rusting magnet. Every motion was deliberate. No panic. No pause.
By sunrise, my duffel was zipped and leaning against the door. I didn't bother with the rest. The furniture, the framed posters, the costume storage in the back closet they could stay. So could the silence.
I left while the city was still sleeping. Vegas always runs loud at night, but backstage in the early morning, it's quiet. Just the buzz of exit signs and the soft hum of rigging tension holding air where no one's flying. I didn't say goodbye. Didn't want to explain. Whatever I owed her, it had already been spent.
My locker was still plastered with years of stickers and old cue sheets. I emptied it in under five minutes. I kept the essentials. Tools. Gloves. The small photo of my parents in mid-flight, caught decades ago between two arcs of a swing. I stared at that photo longer than I should have.
I walked the perimeter of the stage one last time. Not for nostalgia. For closure. I touched the support cables, checked the knot points, passed the spot where I used to stand before every act. It didn't feel like leaving home. It felt like walking away from the wreckage of one.
I submitted the transfer request the night before, routed it directly through internal channels to Montreal HQ. They approved it within twelve hours. No questions asked. I had seniority and a clean record. Nobody cared why I was leaving, just that I signed off on all safety clearances.
What they didn't know was that every one of those sign-offs had been done with a lump in my throat. Every time I tightened a bolt or tested a line, I did it wondering how long she had been slipping away while I was keeping everything else in the air.
Later that morning, I passed Frank Delaney again. He caught me just outside the loading bay, dragging my duffel.
"You're really doing this," he said, arms crossed, voice low.
"I am."
"You two have been the anchor here for a decade."
"Not anymore."
"You want me to tell her?"
I didn't answer. Just kept walking. It would take her a few hours, maybe half a day to realize I was gone. That I'd left without drama. No fireworks. Just silence.
By nightfall, I was on a one-way flight to Montreal with a middle seat and a numb heart. I didn't even glance out the window. There was nothing left to see.
Back in Vegas, the city kept moving. Shows ran. Lights stayed lit. People clocked in and out like nothing had shifted overhead.
But somewhere, in a shared apartment above a quiet stretch of Industrial Road, a second set of keys sat untouched on the kitchen counter. A cup waited in the sink. A side of the bed remained cold.
"Has Anca even noticed yet?" I asked myself
**********
Chapter -- "The Vanishing Act"
(POV: Anca)
Julien didn't come home last night.
I noticed around two a. m., somewhere between my second shower and the end of whatever show I had playing in the background. His side of the bed was still untouched. No message. No text. At first, I assumed he was brooding again. Maybe another late-night inspection. He did that sometimes when the tension on the secondary rig line was off or when someone made a stupid cue call during warmups. I figured he was just walking it off.
But by morning, nothing had changed. Still no sign of him. No coffee brewed. No tools left by the door. Even the faint scent of resin he usually carried like cologne was gone.
I checked my phone. No missed calls. No message waiting. I tried calling. Straight to voicemail. He never turned off his phone. That wasn't like him.
I walked into wardrobe like I wasn't unraveling inside. Asked one of the riggers casually if they'd seen him. He blinked at me and said, "Didn't you hear? Julien's gone. Transferred out."
I laughed. Actually laughed. Thought he was joking. "Gone where?"
"Montreal," he said, lifting a coiled cord. "Left last night. HQ sent the clearance this morning."
I stared at him like he'd misread something. Julien wouldn't just leave. Not without saying anything. Not without telling me. We'd been through worse arguments than this silence. He had always come back.
He couldn't know. That had to be it. He didn't know about Léo. Maybe he was burnt out. Needed space. Or maybe it was about the family thing again. The conversation I kept dodging. The pressure he never stopped applying.
But this? This wasn't like him.
Julien was the type to hold everything inside until it broke him. He didn't shout. He didn't storm out. He swallowed things. I had counted on that.
So no, he couldn't know. If he had, he would've confronted me. Thrown a bottle. Slammed a door. Done something. But instead, he just vanished.
The only thing colder than the realization he was gone was the creeping suspicion that, for once, I might not be the one in control of the ending.
I waited.
A day. Then two.
The silence stretched, thin and sharp, like the wire we used to share. I told myself it was just a pause, a momentary gap before he came storming back through the door demanding an explanation. He always did.
But the door stayed closed. And so did he.
I called him three times the next day. Once in the morning. Once in the afternoon. Once just before curtain.
Each time, it went straight to voicemail. No ring. No click. Just that familiar low tone and Julien's voice, curt and impersonal: *"Leave it short. I'll get back to you."*
He didn't.
I sent a message that night, then deleted it. Typed another. Deleted that too. I finally landed on something halfway neutral. "Hey. Can we talk when you have a moment?" It felt ridiculous. Like I was asking to borrow a coffee grinder. I hit send anyway.
Nothing.
I asked Frank again, more directly this time. "Did he say anything before he left?"
Frank shrugged. "Turned in his paperwork. Told me it was just him going. Didn't say goodbye to anyone. Didn't even clean out his locker fully."
I tried to play it cool. Smiled like it was no big deal. "You know how he gets," I said. "Always disappears into himself when he's upset."
But inside, a pit opened.
Julien had left before. To cool off. To work in silence. But he always came back. He always gave me a chance to fix it. Bend things. Twist the narrative just enough to pull him back into orbit.
Not this time.
By the third day, I called from a different number. He still didn't answer.
I even checked with HR. Asked for the transfer timeline, played the concerned-spouse card. The woman on the line said it was a *voluntary reassignment*. Fast-tracked. Approved and cleared in under 24 hours. Julien didn't leave in anger. He left with intention.
That was when I stopped pretending.
He knew.
Not just about Léo. About everything. The way I stalled the family talks. The subtle ways I cut him down when he stopped performing. The cold superiority I never thought he noticed.
He had noticed. He just didn't say anything.
Julien's silence wasn't absence. It was judgment.
And worse than that--it was final.
Somewhere, I imagined his phone lighting up with my name. I imagined his thumb hovering over the screen, debating whether to open the message or let it rot.
But that was just fantasy.
In reality, I didn't even know if the number still worked.
*********
Chapter -- "Out of Range"
(POV: Julien)
I changed my number the morning after I landed in Montreal.
I didn't bother forwarding calls. I didn't set up a voicemail greeting. I just walked into a corner shop, bought a local SIM card, and started fresh. I didn't even give it to HR until the onboarding was done. For the first time in years, my phone was silent. And I liked it that way.
By the second day, I figured she had tried to call. Probably sent something cryptic. Maybe We need to talk. Or worse, something casual. A test to see how mad I was.
I didn't look. I didn't need to.
She would assume I left because I was tired. Or because of the argument last week about starting a family. She would spin a version where I was overwhelmed, emotionally fragile, and just needed space. That was her magic trick. Turning herself into the victim before anyone noticed the knife in her hand.
What she wouldn't expect was silence. Real silence. Not the kind you hold over someone in a fight, but the kind that closes the door and walks away for good.
Frank had probably told her. I figured she asked around. Maybe even called HR. But she didn't know the real reason. Not officially. I never said the words. I didn't give her the satisfaction of knowing when I saw her kiss him. Or how long I stood there. Or how deep that moment carved into me.
She didn't deserve that.
She didn't deserve me.
And if she was pacing the dressing room, waiting for me to storm in and demand answers, she was going to be waiting a long time.
Because the truth wasn't hiding in a confrontation or a shouted match under the rig. It was in the absence. In her reflection without me behind her.
Let her wonder. Let her sit in it.
I had a new number. A new city. A new job. The only part of Las Vegas I brought with me was the lesson.
And I never leave that behind.
Montreal greeted me with snow and silence. Exactly what I wanted.
I didn't unpack much. Just the tools I trusted and the silence I'd earned. The rest stayed boxed. Out of reach.
A year passed like that. Quiet. Controlled. Unremarkable in all the right ways.
Montreal had winter in its bones. The kind that settled in the steel girders and the joints of the old practice rigs. I didn't mind. The cold kept people honest.
I spent most of my days in the rafters or at the console, reviewing tension patterns and maintenance logs. I ran the crew tight. We didn't talk about shows. We talked about safety. Precision. Anchor points. The things that kept people alive when their feet left the ground.
Montreal had winter in its bones. The kind that settled in the steel girders and the joints of the old practice rigs. I didn't mind. The cold kept people honest. I spent most of my days in the rafters or at the console, reviewing tension patterns and maintenance logs. I ran the crew tight. We didn't talk about shows. We talked about safety. Precision. Anchor points. The things that kept people alive when their feet left the ground.
A year had passed. I hadn't reached out to anyone from Vegas. Not once. My phone had stayed silent, except for the occasional check-in from HQ. I had made myself forget Anca's voice, her perfume, the look she used to give me before a drop sequence. Most days, it worked. But sometimes, in the silence between shifts, her face would drift back. Like a trick of the light in a dusty mirror. I'd blink, and it would be gone.
Then, one morning, a legal memo arrived in my inbox. Filing received. Vasile, Anca. Petition: Divorce. Cause: Abandonment.
I stared at it for a while. No emotion. No anger. I clicked Archive and went back to checking the rotation weights on a new static line. That was her final performance. A paperwork finale. No applause.
It was after hours when I first saw her. The rig was mostly cleared, the lights dimmed to maintenance levels. I was finishing an inspection on the secondary trapeze mount when movement caught my eye. A young woman on the wire. No spotter. No safety line. Just her and the tension. She wobbled slightly at midpoint, corrected, and continued like it never happened. Again and again. Sweat soaked through her tank top. Her feet were blistered, bandaged, and she kept going.
I descended quietly and watched her from the floor. She was training the way people do when they are chasing something they can't name. Her movements weren't polished yet, but they were relentless. Her balance was all instinct. It was like watching a song with no sheet music. Wild. Imperfect. Honest.
After twenty minutes, she slipped. A full loss of footing. Arms pinwheeling. Body tilting into open air. I didn't move. Not out of cruelty, but instinct. I wanted to see if she would recover or crumble. She didn't fall. She caught the wire with both hands, pulled herself back up, and kept going like it hadn't happened.
Later, I checked her file. Élodie Marchand. Twenty-eight. Graduated from École Nationale de Cirque. Background in aerial hoop and wire. No major company credits yet. Just one note scrawled at the bottom of the coach's log: "Fearless. Sometimes to a fault."
I saw something in her I hadn't felt in years. Not since I was the one walking that wire, back when flight still meant freedom. And for the first time in a long time, I stayed a little longer than I needed to.
I started staying later than usual. At first, it was under the pretense of equipment checks. Tension recalibration. Harness storage audits. No one questioned it. Everyone knew I was thorough to a fault. But the truth was simpler. I wanted to see how far she would push herself without anyone watching.
Every night, Élodie returned to the wire. She trained in silence, no music, no mirrors, no audience. Just her breath and the creak of taut cable under foot. I watched from the mezzanine or the side rail, always far enough to avoid being noticed, but close enough to study her form. She was reckless, but aware. Her mistakes weren't from lack of focus. They came from testing the limits of her own fear.
One night, she tried a switch-hop sequence well above her level. Slipped on the second shift. Nearly went over. Her recovery was ugly but effective. She landed hard, chest heaving, hands shaking. Instead of stopping, she laughed. Not a big, victorious laugh. A small one. Tired. Honest. That was when I decided to intervene.
The next morning, I left a note on the rig log: "You're training too hard, too fast. If you want guidance, ask for it." I didn't sign my name, but she would figure it out. Only one person reviewed the logs in red ink.
Later that day, she approached me. No introduction. No preamble. Just a quiet, "Was that you?" I nodded. She nodded back. "Good. Then let's begin."
It wasn't a request. It was a challenge. I respected that.
We started working officially two days later. She was sharper when observed, more measured in her technique. The chaos was still there underneath, but now it had a container. She followed cues well. Learned fast. Argued on occasion, but never from ego. It was about the work. The craft. That made her dangerous in the best way.
By the end of the week, I caught myself doing something I hadn't done in a long time. I waited for her to arrive before I began my own prep. And when she stepped into the rigging bay, something in the room shifted. Not electricity. Not desire. Something quieter. Like stillness that had been waiting to be broken.
I didn't speak to her that night. I rarely did.
But the next time I climbed the rig alone, I caught a flicker of movement from the upper gallery.
Someone else was watching.
*********
Chapter -- "The Ghost in Flight"
(POV: Élodie)
I stayed late that night, not for training, but curiosity. He thought I had gone home, but I hadn't. I was upstairs, stretching near the catwalk rail when I saw him climb the rig, with no crew, and no cue lighting. Just the soft ambient glow of the practice bay and the hollow echo of footfalls above.
Julien moved with the kind of confidence people cannot fake. Measured. Deliberate. Spare. I had watched him walk the floor, check cables, rerun tension tests, bark at careless riggers, but I had never seen him in the air. Never seen him like this.
He stepped onto the wire like it was part of him. The rig lights were on low, casting long shadows across the crash mat below. No warmup. No hesitation. Just motion. He didn't walk it. He breathed it. Smooth transfer, heel to toe. Perfect distribution. His back stayed straight. Core tight. Shoulders low. Arms loose, not stiff like most instructors. I had studied enough to know the difference. What he did wasn't technique. It was memory written into the muscles.
I held my breath when he reached midpoint and paused. He didn't sway. Didn't reset. He just stood there, silhouetted in the half light, suspended. For a second, he looked like someone who had never fallen in his life.
I had heard whispers. That Julien Moreau used to be one of Cirque's top performers. A headliner. That his drop sequences made crowds gasp and grown men forget to blink. I had never seen a clip. He didn't talk about it, and no one dared ask. Most of the younger performers only knew him as the brooding technical guy who said very little and fixed everything before it broke.
But I knew more. One of the older coaches had let it slip. Julien used to work in Vegas. He had been married to a performer there. Some big name. There was drama. A scandal maybe. The kind people gossip about behind closed doors but never put in writing. He left suddenly. Quietly. Came here and never looked back.
Watching him now, I understood why they had talked about him like a ghost. He hadn't just left the stage. He had haunted it first.
And now, he was here. Walking a wire alone at midnight, like it was the only place he still allowed himself to be seen.
The next morning, I found myself distracted during warmups. I kept replaying the way Julien moved. Balanced. Still. Like gravity had rules for everyone else and merely suggestions for him. He hadn't seen me, or if he had, he made no sign of it. That was just like him. Contained. Controlled. Almost surgical in how much of himself he let anyone see.
Between drills, I drifted toward Alex, one of the newer highwire recruits. He had been there longer than me and liked to talk, especially if you asked the right questions.
"Hey," I said, keeping my voice casual. "What do you know about Julien?"
Alex raised an eyebrow. "Moreau? The guy's a legend. Everyone knows that."
"I mean before this. Vegas."
He gave a quick glance toward the upper walkways, like Julien might appear just for being mentioned. "Used to perform with Cirque's Vegas show. Top of the billing. They called him the anchor, I think. Because he held every midair catch. Never missed. He was married too. To another performer. She was big."
"What happened?"
He shrugged. "He left. That's all I know. No one really talks about it. It's like... he died and came back as a tech. Doesn't even step on the wire anymore."
I nodded and pretended that was enough. But I knew better. I had seen the ghost float across that cable like he had never stopped. He hadn't vanished. He had buried himself in silence. And I was beginning to wonder why.
I didn't ask about him again. Not directly.
But I started arriving earlier. Leaving later.
Part of me hoped he'd step onto the wire again. The other part hoped he'd say my name.
Neither happened. Not at first.
But then, on a quiet Tuesday morning, the program coordinator pulled me aside with a clipboard in hand.
"Julien requested to take you on officially," the program coordinator said, as if they hadn't just handed me to a legend. Like it was a box on a form to check, not a turning point in gravity. I nodded like I understood. But inside, my pulse jumped.
Up until now, he had only watched from the edges, quiet and distant, almost mythic. The man who once held whole routines in the palm of his hand. I had seen him in the rafters, tuning the rig like it was a violin only he could hear. I never imagined he would step down into my world, let alone invite me into his.
When I walked into the bay, he was already there. No greeting. No smile. Just a nod. He stood near the base of the wire with his arms crossed, staring at a tension point like it might confess something. I didn't move right away. I just watched. The way you watch something sacred or something dangerous.
"Go ahead," he said, voice low. "Show me what you've been doing."
I climbed up, every breath tight. My palms were dry, but my heart wasn't. Knowing he was watching changed everything. He didn't correct me. He didn't even speak. He just stood there with his hands in his pockets, a sculpture with eyes that didn't blink.
Halfway through a pass, I slipped.
My left foot moved too fast, balance lost. The drop was already writing itself when I felt a hand at my hip. Solid. Grounding.
He had moved. I never saw it. One moment I was falling. The next, I wasn't.
He looked at me. Not sharply, not gently. Just steady. "Again," he said. "Slower this time."
I nodded. My legs felt like they were waking up from a dream. I climbed again. This time, I found the wire instead of chasing it. The rest of the session smoothed out. Fewer hesitations. Fewer ghosts. But I still felt his hand long after he let go, like a signature burned into skin.
Later, while we cooled down, I finally asked, "Why did you stop?"
He didn't look at me. He just sat near the platform's edge, elbows resting on his knees like he had done it a thousand times before. "Sometimes you fall in ways no net can catch."
He said it like it wasn't for me to carry. But I felt the weight of it anyway.
What I didn't say: He hadn't needed to catch me.
But he did.
And now, somehow, impossibly, I wasn't just training beside a legend. I was tethered to one.
What I didn't know, what he didn't show, was how close he had come to letting me fall.
Or how much it startled him that he didn't.
*********
Chapter -- "After the Catch"
(POV: Julien)
She shouldn't have slipped. Not that early in the pass. Her weight was pitched too far forward, left foot a fraction late. I saw it three steps before it happened.
I told myself I wouldn't step in. Let her fall. Let her learn. That's the rule. That's the wire. But the moment her balance broke, I moved before the thought had time to form. No rope. No cue. Just instinct.
My hand found her hip, steady and precise. Just enough pressure to stop the spiral. The heat of that moment stayed with me long after. Not the physical contact. The stillness. The breath between two heartbeats when she looked at me like I had just rewritten gravity.
Maybe I had. Once, that used to be the whole act.
It wasn't the technique that surprised me. That stays in the bones. What caught me off guard was the feeling. That old, familiar current I hadn't touched in years--the one that passes through you when someone trusts the fall, even if they don't know it yet. The weight. The silence. The moment that's both terrifying and holy.
She didn't thank me. Didn't flinch. Just nodded and climbed again.
That's what stayed.
Not the catch.
The courage.
She didn't break. She recalibrated.
I've worked with performers my whole life. Some chase applause. Some chase perfection. But she--Élodie--she moves like she's chasing truth. Like she's trying to meet a version of herself she hasn't quite earned yet.
Not for the spotlight. Not for anyone watching. Just for her.
I told her, "Sometimes you fall in ways no net can catch." What I didn't say was this:
Sometimes, you catch someone and realize the fall was never hers.
It was yours. And it's still happening
She showed up after hours again. No wire work this time. Just a clipboard in one hand and her hair pulled back in a messy braid like she didn't care who saw the effort behind it. She didn't speak at first, just climbed the ladder to the mid-rig like she belonged there.
I was checking load on the primary tension cable, trying to track down a subtle vibration we'd been hearing during transitions. I didn't expect company. Definitely not hers.
"You're off tonight," I said, not looking up from the ratchet. "Crew rotation was posted."
"I know," she said. "Just wanted to watch. Maybe learn something not written in the manuals."
She said it like it wasn't personal. Like she wasn't inching closer to the part of me I kept bolted shut. I handed her a pair of gloves anyway and pointed to the opposite side of the rig. "Loosen the secondary counter line. Two full turns, then lock it."
She moved easily. Followed instruction. Worked in silence. We adjusted cables, checked mounts, measured swing clearance. Thirty minutes passed. She didn't fill the space with chatter like most of them do. No nervous questions. No need to impress. Just focus. That earned her more than she realized.
Eventually, she broke the quiet. "Do you miss it?" she asked, not looking at me. Just watching the rig breathe above us.
"Yes," I said.
She nodded. No follow-up. No press. Just let the answer hang there like a loaded net that never dropped.
When we finished, I watched her run her hand along the edge of the platform, fingertips brushing the chalk-dusted metal like it had told her a secret. Maybe it had. Maybe the wire speaks to people who don't run from the silence.
She turned to leave but paused at the ladder.
"You know," she said softly, "I don't think you left the air. I think you're just waiting for a reason to go back."
She didn't wait for my response. And I didn't give one.
But she wasn't wrong.
*********
Chapter -- "The Line Between Us"
(POV: Élodie)
I didn't expect him to say yes.
I had asked if he missed it more out of instinct than intention, like a hand reaching in the dark. His answer came without hesitation. No pause. No guarded joke to deflect it. Just yes. Clean and quiet. And somehow heavier than I expected.
That's the thing with Julien. He never gives you more than necessary. But what he does give feels deliberate. Anchored. Like every word has to pass through a filter of memory and pain before it reaches daylight.
We spent almost an hour under that rig. Moving between tools and pulleys, counterweights and measurements. I kept sneaking glances at his hands. Calloused and sure, like they still remembered what it meant to catch someone falling. I wondered if he ever thought about reaching again, or if the wire only existed for him now as something to be fixed, not flown.
When I touched the platform on the way down, I felt something strange. Not nostalgia. Not nerves. Something more like quiet recognition. Like I was standing inside the echo of someone else's memory. His memory.
I didn't know what made me say it. Maybe I just wanted to see if he'd flinch. "I don't think you left the air. I think you're just waiting for a reason to go back."
He didn't say anything. No sharp look. No correction. But I saw his hand pause at the rigging cleat for just half a second before he went back to tightening it. And that half second told me more than anything he might have said out loud.
I climbed down without looking back, but I felt him watching me. Not with intensity. Not with desire. Just... attention. The kind that doesn't chase, but also doesn't let go.
Something was shifting between us. I didn't know what it was yet. Only that it felt like standing on the wire again for the first time, toes curled over the edge, heartbeat loud in your chest.
Waiting.
*********
Chapter -- "Poetry in Motion"
(POV: Julien)
We trained in silence now. Not because there was nothing to say, but because there was nothing that needed saying.
Two months had passed since I agreed to take her on officially. Since then, something had shifted in the way we moved. Cleaner lines. Tighter steps. That space between us, the one I had once guarded so carefully, had narrowed. Not in a way that demanded attention, but in a way that demanded trust.
She was already waiting on the wire when I arrived. Hands chalked. Feet bare. No warm-up today. Just breath control and sharp focus. I stepped onto the opposite platform, gave her a nod, and we began.
We moved as if choreographed, though we never rehearsed specific patterns. Every motion was a conversation. She leaned, I countered. She pivoted, I held. It wasn't about tricks. It was about rhythm. Presence. We weren't performing. We were remembering what it felt like to fly without permission.
Halfway through a mirrored balance transfer, I caught her eyes. Green. Steady. Focused. She didn't smile. Neither did I. But the current running between us didn't need expression. It lived in the way our feet moved, in the tiny corrections we made without thought.
I didn't notice the others at first. But by the time we reached the midpoint hold, bare feet balanced five meters above the mat, three techs had stopped working near the back rig wall, their eyes fixed upward. One of the aerialists leaned against a crash mat, arms crossed, expression unreadable. Another had his phone out, recording. I ignored it. So did she.
Let them watch.
We finished the pass with a shared drop catch--low altitude but sharp--and dismounted in sync. No applause. Just that familiar tight breath in the chest and the slow release that came after.
Élodie broke the quiet first. "I think we're scaring the others."
I wiped my hands and looked up at the wire. "Then we're doing it right."
She laughed, soft and clean. And for once, I didn't feel the weight of memory pulling at me. I was here. In this place. In this moment.
Not remembering who I used to be.
Just becoming who I might be again.
I thought that might be the end of it, just us, the wire, and the quiet rhythm we had found.
But silence has a way of drawing attention when it's honest enough.
And people had started to notice.
They had been watching for a while.
Not just today. Not just this session. Word had started to move through the halls. A technician paused to watch. Then a choreographer. Then two more from casting. We never invited it. We just kept working. But something about the way Élodie and I moved on the wire had begun to pull people in. Not with flash. With rhythm. With silence.
Today, the ones watching were different.
They showed up without warning. Two executives from HQ, both in tailored coats and soft-soled shoes that had never touched a rig floor. They stood at the mezzanine rail with their arms folded, trying to blend in. But they didn't blend in. Not with their clipboards and calculated expressions. They watched as Élodie and I ran through a training circuit. No announcement. No introductions. Just quiet scrutiny, like investors touring a gallery right before making an offer.
We weren't even at full height. Just working low-wire transitions and partner balance shifts. Things that didn't impress on paper, but meant everything in practice. I caught her on the third pass. Her weight transfer was slightly off. We reset. Clean. Efficient. Quiet. I didn't perform. I just did the work.
After we finished, I climbed down and was wiping chalk from my palms when they approached. Polite smiles. Clipboard energy. One of them, Marc, spoke first. "Julien, that was... something."
I didn't reply. Just nodded and waited for the pitch.
They launched into it like they'd been rehearsing. Cirque was developing a new touring concept. Something intimate. Minimal sets. Focused on trust, risk, and flight. And they wanted it built around me. Not as a technician. Not as a coach. As a performer. Headlining again. And Élodie, of course. The protégé. The contrast. The story arc that sells tickets.
I told them no.
Flat. Immediate.
I hadn't touched a spotlight in years, and I didn't want one. That part of my life was over. I had burned that bridge and poured concrete over the ashes. They pushed again. Said the footage from training spoke for itself. Said the timing was right. Said I could help shape the direction of the entire production.
Before I could shut it down a second time, Élodie stepped closer. She didn't look at me. Just kept her voice low and steady.
"I think you still have something to say. Even if it's not in words."
That stopped me.
I didn't answer them right away. I told them I'd think about it. That was as much ground as I was willing to give. But later that night, I found myself standing under the wire long after the lights were off.
And it didn't look like a machine anymore. It looked like a memory. Something unfinished. Something waiting.
Maybe she was right.
Maybe I hadn't finished what I started.
**********
Chapter -- "What Comes Next"
(POV: Élodie)
I found her by the water station, wrapping her wrists before rehearsal. Naomi, one of the aerial hoop performers. We weren't close, but we'd trained side by side enough times to trade quiet truths when no one else was listening.
"He hasn't said anything yet, has he?" she asked without looking at me.
I shook my head. "Not officially."
"They're calling it a comeback," she said. "Julien Moreau. Back on the wire."
The words sounded strange. Like someone describing a ghost returning in a new body.
"He didn't ask for it," I said.
Naomi glanced at me, then back to her wraps. "No. But he didn't run from it either."
That stuck with me. He hadn't run. Not this time.
I leaned against the wall, hands still chalky from morning drills. "I don't think he's afraid of performing again. I think he's afraid of what it'll pull out of him. Of who he has to become to make the crowd believe."
"And you?" she asked. "Are you ready to stand in that light too?"
I thought about the way his eyes softened when he watched me move. The way his voice stayed calm when I faltered. The way we never had to explain anything on the wire. We just adjusted until the rhythm came back.
"I didn't ask for the spotlight either," I said. "But I'm not afraid of it."
Naomi smiled. "Then maybe you're the one who's ready. Even if he's still catching up."
I didn't answer. Just stared up at the rig above us and wondered if it would ever feel the same once the world was watching.
Then I brushed my hands off and turned toward the stairs. I didn't want to wonder anymore. Tonight, I would talk to him. Not about the choreography. Not about the tour. About us. About the space between who we are now and who we could be.
If he still wanted to fly, I needed to know whether I was just part of the act, or part of something more.
*********
Chapter -- "The Weight of Yes"
(POV: Julien)
We didn't talk about it right away.
The executives left, and training resumed like nothing had happened. But I knew she was waiting. Watching. I could feel the question in the way she lingered by the gear case, the way she glanced toward the high rig between sets.
It wasn't until two days later, after a late maintenance session, that she brought it up. We were sitting on the edge of the platform, boots off, feet dangling above the mat. The bay was quiet except for the hum of distant lights and the tick of cooling steel.
"You're going to say no, aren't you?" she asked.
I didn't answer at first. I traced a line of chalk dust along my palm. "I didn't come back here to perform."
"I know."
"I came back to be invisible. To keep other people safe. That was the deal."
"You don't strike me as the kind of man who hides." She didn't say it with judgment. Just observation. Like she was stating a fact she had already accepted.
I looked at her. Really looked at her. She wasn't asking for fame. Or a spotlight. She wanted the work. The flight. The rhythm. She wanted it with me, and for me, and maybe that was what scared me most.
"I don't know if I still belong up there," I said quietly.
She leaned back on her hands, looking up at the wire above us. "You don't have to belong to it. But I think it still belongs to you."
I let that sit for a while. The silence wasn't heavy. It was patient. Honest.
Finally, I nodded. Just once. "Alright."
She smiled. Not wide. Not triumphant. Just steady. Like someone who had always known we'd get here eventually.
That night, I signed the offer.
And it didn't feel like closure. It felt like a beginning.
And beginnings, like wirework, demand balance.
We rehearsed. We revised. We stepped out under lights brighter than I remembered, in front of crowds that didn't know what it had cost to get there.
Then the curtain rose.
Montreal opened like a fuse line.
Standing ovation. Every night. Critics called it electric. Intimate. Some said we made gravity look negotiable. Others just called it dangerous in the most beautiful way. I didn't read all the reviews. I didn't need to. I could feel it in the silence before each act, in the way the crowd held its breath when we crossed each other mid-wire.
For the first time in years, I didn't doubt the decision. Not the tour. Not the return. Not her.
That night, after the fifth sold-out show, the crew went out to celebrate. A quiet bar tucked into a narrow street. No neon. No cameras. Just drinks and music and the kind of laughter that only comes when you know the worst part is behind you.
I stepped out to grab another round from the counter. Five minutes, maybe less. When I returned, Élodie was near the end of the bar, cornered by two men. Fans, maybe. Or opportunists. One of them leaned too close. The other touched her wrist as she tried to step away.
I stopped.
I watched.
Not out of hesitation. Out of calculation.
She didn't scream. She didn't shrink. But she was uncomfortable. Her eyes scanned for an out, not panicked, just controlled. Always controlled. But still, I moved.
I crossed the floor in three slow steps and stopped behind the taller one. He turned just as I reached for Élodie's hand and placed myself between them. "She's not interested," I said calmly. No threat. No growl. Just fact.
The man scoffed. The second one muttered something about overreacting. I stared until their mouths stopped moving.
They left.
Élodie looked up at me, breath measured. "You didn't need to--"
"It's my job," I said. "To protect the performers. On the wire and off."
She didn't say thank you. She didn't have to.
She just stayed beside me the rest of the night.
**********
Chapter -- "The Way He Stands"
(POV: Élodie)
He didn't make a scene. He didn't raise his voice. He didn't posture or puff up like men sometimes do when they want to be noticed for being protective.
He just stood there. Between me and them. Still as steel.
They backed off the way people do when they sense a line they shouldn't cross. Julien didn't look back until they were gone. And when he did, it wasn't to check if I was okay. It was to return to me, like I was already part of where he belonged.
He said, "It's my job. To protect the performers. On the wire and off."
It could have meant anything. It could have been impersonal. A matter of policy or principle or some half-buried code from his old life backstage. But the way he said it wasn't cold. It was specific. Like the word performer meant me. Just me.
I didn't say thank you. Not because I wasn't grateful. But because I knew that if I did, it would break the quiet between us. The quiet we had been building for months. The kind that holds more truth than explanation ever could.
Back at the table, he sat beside me without question. Didn't hover. Didn't crowd. Just stayed close enough that I didn't have to check the room again. His presence did the scanning for me.
There's a difference between someone watching over you and someone seeing you. He did both.
And when the night ended, and we walked back in the cold, he didn't offer me his jacket or reach for my hand. He didn't have to.
He just walked in step with me. Steady. Solid.
Like the ground itself had decided not to let me fall.
*********
Chapter -- "Center of Gravity"
(POV: Julien)
The tour moved like breath. Inhale in Montreal. Exhale across Canada. Each city blurred into the next. Toronto. Winnipeg. Vancouver. Then Paris. Amsterdam. Munich. We touched down, strung cable, rehearsed, performed, packed, repeated. The wire became our constant. The only thing that didn't change under our feet.
And every time we stepped on it, we brought the audience with us. Not with spectacle, but with silence. They held their breath when we passed each other midline. They gasped when we spun. They whispered when we didn't fall. People started using words like hypnotic and magnetic. But none of them saw the thing that made it real.
It wasn't the act.
It was the connection.
I didn't choreograph it. Neither did she. But over time, our instincts lined up. She anticipated my adjustments before I made them. I caught her by the hip before her balance shifted. We dismounted in sync without a cue. And on stage, it looked effortless.
Offstage, it was slower. Softer. Stranger. At first it was shared meals because we had no one else. Then it was shared silence that didn't feel awkward. Then it was rigging checks that turned into stories. Her childhood in Sherbrooke. My parents and the flying act I once thought would be mine forever. We talked until stagehands kicked us out of the bays at midnight.
She asked me once if I missed Las Vegas.
I said no.
She didn't press.
I caught myself laughing more. Sleeping better. Eating real food. I caught myself watching her hands when she braided her hair before warmup. I caught myself not checking my phone after shows. I caught myself wanting things I had buried years ago.
Barcelona was packed. Sold out. The finale was tight. Mid-air catch clean. Dismount perfect. The kind of show you remember not because it was showy, but because no one missed a single breath.
Backstage, we stripped off our chalked gear, hearts still pacing. Someone handed us water. Someone else slapped my back. She leaned against the wall, eyes closed, breathing like she'd just outrun a storm.
I watched her. And I knew.
There was no performance in this moment.
Just truth.
She opened her eyes and met mine.
I stepped forward. She didn't move.
When I kissed her, it wasn't careful. It wasn't calculated. It was quiet and honest and full of all the things we had never said out loud.
She kissed me back.
And for the first time since I left Las Vegas, I didn't feel like I was carrying the weight of the wire alone.
I had found my center of gravity.
And she had a name.
*********
Chapter -- "No Safety Net"
(POV: Élodie)
The hotel room was quiet. Heavy with post-performance stillness. The adrenaline had faded, but something else remained. Julien closed the door behind us with the same deliberate calm he used before stepping onto the wire.
We didn't speak.
We didn't need to.
He kissed me before I could overthink it. His hands were steady, warm. His lips slow but sure, like he had waited long enough. I answered with everything I had been holding back for months. My hands found the hem of his shirt. His breath hitched when I slipped my fingers beneath the fabric, tracing the lines of muscle and old tension.
When he kissed my neck, I forgot about applause and stage lights. I forgot about control. My body arched toward him instinctively, craving contact, connection. He slid his hand along my side, over my ribs, and cupped my breast with reverence, not possession. The sound that escaped my mouth was a moan I didn't try to swallow.
"I need you," I whispered, voice trembling but certain. "Now."
We stripped like people who had waited too long. No show. No choreography. Just skin and heat and breath. He moved between my legs, eyes searching mine for permission, for trust. He found both.
When he entered me, it wasn't fast. It wasn't frantic. It was full. Anchoring. The kind of motion that spoke a language older than fear.
I moved with him. Matched his rhythm the way I had on the wire. Each thrust deeper, slower, more intentional. Every kiss a promise. Every moan a release.
There was no rush. No mask. No safety net.
Just the two of us, breathing in time, finally letting go.
We didn't stop.
Not after the first wave of pleasure broke. Not after the second. We pulled each other back in like gravity had been rewritten just for us. The sheets tangled. My legs wrapped around his waist. My name fell from his lips like it was something sacred, something earned.
I had never known my own body like this. Not with anyone else.
Julien didn't just move like he knew what he was doing. He moved like he knew me. Every response. Every gasp. Every arch of my back. He listened without asking, touched without hesitating, and kissed without apology. As if I had always belonged in his hands.
When I cried out, it wasn't from pain or surprise. It was relief. Like my body had been waiting for this kind of honesty and didn't know it until now.
He didn't rush. And I didn't want him to.
We tested each other, rhythm, breath, control, surrender. We collapsed. Caught our breath. Then started again. His hands slid along my hips, across my stomach, up to my shoulders. I traced every scar I found. The ones on his skin. The ones he didn't talk about. I kissed them both.
Between the hours, we spoke in low murmurs. Things we'd never said aloud. Things we'd only trusted to the wire until now. He told me I was stronger than I knew. I told him he was softer than he wanted to admit.
At some point, I fell asleep on his chest. Then woke to his hand brushing hair from my face, his lips at my collarbone. He kissed me again like the first time hadn't been enough. And it wasn't.
It never would be.
Not with him.
**********
Chapter -- "Morning, Unspoken"
(POV: Julien)
I woke before the sun.
The room was dim, still wrapped in that early gray where time feels slower. Élodie was curled against my side, one leg draped across mine, her hand resting against my chest like it had always been there. Her breathing was steady. Light. Peaceful.
I didn't move.
Not yet.
Her hair was a mess, trailing across her shoulder in soft auburn waves. Her skin carried the imprint of our night. Fingertips. Mouth. Memory. I could still hear her, those sounds she made when I touched her like no one else ever had. Not just the volume. The honesty.
I hadn't expected it to feel like that.
I had thought maybe I had forgotten how. Or worse, that part of me had gone quiet forever. That the part of me that could connect, not on the wire, not on a stage, but in a bed, had been stripped away by years of silence, loss, damage.
But last night.
Last night rewrote the script.
She stirred beside me, eyes still closed. Her thumb traced a small, unconscious circle against my ribs. That simple motion nearly undid me.
"I didn't mean to fall asleep on you," she murmured, voice rough and soft at the same time.
"I didn't mind."
She blinked up at me, then smiled. It was slow, unguarded. "You're staring."
"I am."
"Why?"
I hesitated, just for a breath. Then: "Because I've never known anything like that. Not just the act. The rest of it. The way it felt after."
She looked at me like she already knew. And maybe she did.
"You let go," she said. "That's what it was."
I nodded. "I didn't know I could."
"You did."
And for a long time, we just stayed there. Wrapped in silence. No performances. No crew. No crowd waiting to be impressed.
Just us.
And for once, that was enough.
But silence has a half-life.
And by the time we stepped back into the rig the next day, something in the air had changed. Not fractured. Just shifted.
She was already at the rig when I walked in.
Chalk on her hands. Hair tied back. Focused. From the outside, nothing had changed. But something had. I could feel it between us like a ripple under the floor. Not tension from conflict. The other kind. The kind that comes from knowing something now you didn't know the day before.
We hadn't talked about it. Not past what we said that morning. There hadn't been time. Or maybe we were just holding onto it a little longer, quiet and unsaid.
The others moved through warmups around us, casual and noisy. Crew resetting lines. Spotters checking gear. It was routine. Safe. Familiar. I should have felt at ease.
But as soon as I stepped onto the wire platform, I felt the difference.
Élodie didn't look at me. She just stood at the opposite edge, arms loose at her sides, waiting for my cue. I gave it. A nod. We stepped onto the line together.
And everything was off.
Only slightly. Her weight shift was a half-second late. My adjustment overcorrected. The center line felt too tight. Our pacing was off by maybe three beats. But it was enough to notice.
We reached midpoint and paused. I saw her jaw tighten. She wasn't frustrated. She was thinking. Recalculating. I knew that look. I had worn it for years.
"You alright?" I asked, voice low.
She nodded once. "Just finding the rhythm."
I nodded back. But we both knew it wasn't just the rhythm. It was us.
What we had found last night was real. And now it was here, under the lights. In the space between our steps. Not hidden anymore. Not contained.
We didn't say anything else. Just finished the run. Clean. Professional.
But when we dismounted, I glanced at her. She didn't meet my eyes, not right away. Then she did. Just for a second.
And in that second, I saw it. The same thing I was carrying.
Something real. Something fragile. Something that might change everything.
I thought we'd settled it. That what happened between us would move with us, not against us.
But just as we were finding our balance again, the next stop on the tour appeared. Printed clean in black ink.
Las Vegas
I saw it on the schedule two weeks before it happened.
Las Vegas. Four nights. Center billing. Same venue. Same crew office. Same rigging bay I had once called home. I stared at the name printed on the itinerary like it might blink or fade or change. It didn't.
I didn't say anything to Élodie.
She didn't ask.
But something in me went quiet.
My steps grew sharper. My tone colder. I stopped lingering after rehearsal. Stopped staying in the wings to watch her stretch. I packed early. I checked tension twice. She noticed. Of course she noticed. But she didn't push.
I think she knew this wasn't a wire I could cross with someone holding my hand.
When the plane landed, I didn't look out the window. I knew the skyline by heart. I could still feel the heat rising off the pavement. I could still hear the echo of my footsteps in the hallway the night I left without a word.
We arrived late. Tech had already checked the equipment. Costumes were laid out in the dressing room. Nothing had changed. And that was the problem.
I went alone to the back corridor behind the main rigging bay. It smelled the same. Rosin. Oil. Chalk. History. My history.
My old locker still sat at the end of the row. I reached for the handle, hesitated, then opened it. Inside, dust had settled on a coiled harness and a single photo magnet on the back wall. It showed me mid-air, arms wide, eyes forward. Not caught yet. Not falling.
Below that, carved faintly into the metal edge, were the letters I had once scratched in with a rig knife.
A. V.
Anca Vasile.
I stood there for a long time.
No one interrupted. No one had to.
She was gone. But she wasn't. Not entirely. She lived in the bolts I used to torque. In the weight I still carried. In the fact that I hadn't told Élodie what happened. Not all of it.
The past wasn't behind me.
It was about to share the stage.
*********
Chapter -- "Underneath the Silence"
(POV: Élodie)
Julien hadn't been the same since the itinerary changed.
He didn't flinch when the Vegas dates were announced, but I saw it. In the way his shoulders stayed tense during warmups. In how he checked the wire too often. In how he didn't wait for me to walk out of rehearsal anymore.
He wasn't cold.
Just distant.
The kind of distant that doesn't come from anger. The kind that comes from memory.
We arrived late. The crew moved like it was any other stop. Laughter. Logistics. The usual rhythm. But Julien didn't speak much. He walked ahead of me when we unloaded our gear. Took the call from production in a hallway. Spent more time in the rafters than beside me.
I didn't take it personally.
But I felt it.
This city meant something to him. Something unfinished. Something sharp. And whatever it was, it lived behind his silence.
I thought about asking. I almost did, three times. But every time the words started to form, he would glance at me with that look. Not warning. Not avoidance. Just... weight. Like the past had hands, and they were already wrapped around his voice.
So I waited.
I had learned to trust him on the wire. I would have to trust him here too. Even if the ground felt less certain.
But as I walked into the rigging bay that night, saw the faded chalk stains, the ghost of someone else's name still written in the steel, I felt something tighten in my chest.
Whatever we had built together was strong.
I just hoped it would hold under the weight of what he hadn't told me.
*********
Chapter -- "A Ghost in the Wings"
(POV: Anca)
They said we were on hiatus.
Two weeks. Maybe three. Cirque often rotated headliners through the Vegas residency, but this was different. No accidents. No injuries. Just a quiet note from production. The regular cast would take a break while something new took over the stage.
Something new. That phrase always made my teeth clench.
I wasn't worried at first. These "limited engagements" came and went. A novelty act. A test pilot. They never lasted. But then I started hearing things. From costumers. From riggers. From the dancers still getting paid to stand on the sidelines.
It's beautiful, they said. Dangerous in a good way. Real.
One of them even whispered, it feels like what we used to be.
That was when I started listening.
Then I heard his name.
Julien.
I told myself it had to be a coincidence. Some tech assistant. A rigger with the same surname. But when I saw the cast list pinned to the staff board, there it was. Julien Moreau. Lead performer. Not supervisor. Not safety director. Performer.
And under his name, paired as a duet: Élodie Marchand.
It felt like a wire snapped inside me.
I waited until midnight when the theatre was dark and the main crew was gone. Slipped past a distracted security guard with a borrowed jacket and an old ID badge. The floor still remembered my footsteps. The shadows bent around me like they knew how I moved.
I climbed to the side catwalk above the stage. Quiet. Invisible.
They were rehearsing a midair sequence. No music. Just tension and breath. She stood opposite him on the wire. Bare feet. High chin. Hands ready.
He gave her a nod.
She stepped.
And I watched them move.
Not just in sync. In tune. Her timing anticipated his. His hands caught her without force. When she spun, he was already there. They didn't perform for each other. They connected. Like the wire was a conversation, and they had long since stopped needing words.
Then, during the dismount, she laughed.
Laughed.
Right into his shoulder.
He didn't flinch. He smiled.
I nearly choked on it.
Because I knew that smile. I had worn that laugh.
Once.
But that was before he walked away. Before he erased me like chalk dust from the bay floor.
And yet. Watching them. Seeing the precision, the honesty, the ease. I recognized it for what it was.
Something real.
Something I once had.
And then I smiled.
Not because it didn't hurt. It did. But because I remembered something Julien had clearly forgotten.
I always knew how to rewrite endings.
And this story wasn't finished yet.
**********
Chapter -- "Collision Course"
(POV: Julien)
She was waiting by the crew lockers when I turned the corner.
I should have seen it coming. She never did subtle well. A shadow on the wall. A stillness where there should have been motion. Then her voice.
"Did you really think I wouldn't find you?"
I didn't stop walking until I was five feet from her. Close enough to see she was still using the same foundation shade that didn't quite match her skin tone. Close enough to see that her eyes hadn't changed. Still sharp. Still looking for leverage.
I crossed my arms. "You're not supposed to be back here."
She smiled. "Neither were you. And yet, here you are. Front and center again."
"I'm not here to fight," I said.
"But you will." Her smile vanished. "Because you walked away without a word. Without giving me a chance."
I felt it start to rise. That heat in my throat. That hum under the skin I had buried for years.
"You never fought for us," she snapped.
I laughed. It wasn't warm. "You made sure there was nothing left to fight for."
"I made a mistake."
"No. You were the mistake."
That did it. Her jaw tensed. "You think I didn't love you? That I didn't try?"
"You loved the spotlight. You loved the way people looked at you when you stood in the air like it was a crown. You didn't love us. Not enough to stay grounded for five minutes. Not enough to make room for anything that wasn't about you."
"That's not fair."
"Isn't it?" I stepped closer. "You got everything you wanted. Every role. Every decision. You pushed. I gave. You climbed. I followed. Until there was nothing left in me to give. So no, I didn't fight. Because there was no reason to."
"You let go."
"I did." I kept my voice even. "Because I finally saw what was real. You didn't want a partner. You wanted a mirror."
She looked like she was about to slap me, or maybe cry. But she did neither. Just stood there, staring like she was trying to find the old version of me she used to control.
He wasn't there.
I turned to walk away.
"I can still be part of this," she called after me.
I didn't stop. "Not this time."
And for the first time since I moved away from Vegas, I didn't feel like I owed her anything.
Not a glance.
Not an apology.
Not even a goodbye.
**********
Chapter -- "The Replacement Plan"
(POV: Anca)
I told myself I wouldn't go.
That I didn't need to see it. That nothing they did on that stage could touch what I used to be. But when the lights went down and the house filled up, I found myself standing behind the curtain, just out of sight, staring through the gap in the wings.
The crowd was silent. Not bored. Held. Like they had all leaned forward at once and forgotten to exhale.
Then they stepped out.
Julien and her.
He moved with that same calm precision he always had. But this time, it was different. Not stiff. Not guarded. He was fluid. Confident. Present. And she, Élodie, moved like she had been built to match him. They didn't just perform. They communicated. Every pivot, every lean, every catch was intimate. Honest.
And when she smiled at him during the final hold, he smiled back.
I had never seen that smile from the audience.
And then came the applause.
Not polite clapping. Not the kind that says well done. This was thunder. It rattled the walls. It rolled over the stage like a wave and didn't stop. And it wasn't for spectacle. It was for connection. It was for them.
It was louder than anything I had ever received.
I felt something break. Not just inside. Through. Like a thread that finally snapped and took my balance with it.
That was supposed to be me.
It was mine before she ever showed up. Before he left. Before the silence.
I didn't want the spotlight back just for the fame. I wanted him to look at me like that again. To move like I mattered again. To feel needed. Chosen. Irreplaceable.
But I was replaceable.
Unless I changed that.
Unless I made room.
The plan came to me slowly, but with clarity. Nothing cruel. Just... subtle. One rig line. One anchor. Slight tension miscalibration. Enough to fail under load, but not enough to trigger flags during setup.
The wire would give out. She would fall.
Not fatally. Not if the net was close. But enough to pull her off the roster. Enough to clear space. Enough to get me back on that stage. Back in his arms. Back where I belonged.
I didn't feel guilt. Not yet.
Only hunger.
Because I had always known how to rewrite endings.
And this one was about to begin.
**********
Chapter -- "Cut Line"
(POV: Élodie)
The rig felt perfect.
The tension was right. The mounts had held all week. The crowd was loud, but their voices faded once my feet left the platform. Julien was already on the line, waiting. I met his eyes across the gap. He gave me the smallest nod.
We began.
Every move was muscle and breath. My body knew the sequence like it knew gravity, like it knew him. We crossed in perfect tempo, counterbalanced in the center, pivoted to our dual pose.
The lights caught us midair. The crowd gasped right on cue.
Then came the drop lift.
I took my mark. Hands forward. Knees soft. One foot back.
And as I pushed off--
The line gave out.
Not tension. Not resistance. It simply wasn't there.
I felt myself fall. Not a stumble. Not a misstep. A free fall. My breath caught. My stomach flipped. I saw the wire snap backward behind me and knew before I hit bottom that something had gone wrong. Really wrong.
Then came Julien.
I didn't see him move, but suddenly his arms were around me. One under my back, one gripping my wrist. The entire world narrowed to his face, taut with focus, jaw clenched. His grip locked. The audience roared, thinking it was part of the act.
We hit the net together, hard. Pain bloomed through my shoulder and down my arm. I couldn't lift it. Could barely breathe. But I was alive. And I was still in his arms.
The house lights went dark. The applause swelled like thunder.
I wanted to scream.
Backstage, medics swarmed. The pain sharpened, then dulled as the adrenaline wore off. Someone said the arm was fractured. Clean break. I'd be out for six to eight weeks.
Julien didn't leave my side.
Not until they wheeled me off for X-rays. Even then, he held my hand too long before letting go.
And in that moment, through the fog of pain, I saw something in his eyes.
Not guilt.
Suspicion.
Something hadn't just failed.
Something had been tampered.
I didn't have the words for it then. The shape of the thought. The why.
But later, in the quiet white of a hospital room, the weight of it returned, settling just behind his eyes.
The hospital light was dim and too still. The kind of silence that usually made me nervous. But tonight, it was a relief. After the fall, after the shock, after the cheers that didn't belong to what actually happened, I just needed a place to breathe.
Julien hadn't left.
He was sitting in the corner, hands clasped between his knees, like he hadn't moved since they rolled me in. His shirt was still dusty from the net. His hair flattened from sweat. His jaw hadn't unclenched.
They had already told me. Fracture. Clean. Simple. Eight weeks, give or take. The kind of injury that performers live with, learn around, come back from. But that wasn't what he was thinking about. I could see it in the way he looked at me.
He wasn't worried about the show.
He was worried about me.
"I'm alright," I said, voice soft.
His eyes lifted slowly. "You fell."
"You caught me."
He didn't smile. Just leaned forward, elbows on his knees, like he was anchoring himself there. "The rig should not have failed. Not like that. Not mid-sequence. That's not... normal."
"I know."
We sat in the quiet. For a moment, there was just the hum of equipment and the soft rhythm of my own breathing.
Then he said, "I didn't think I'd feel this again."
"What?"
He looked at me, eyes raw in a way I hadn't seen since our first night together. "What it's like to be afraid of losing someone. Not the act. Not the performance. You. I thought I had buried that part of myself years ago. But tonight... when the line gave out..."
He trailed off. Then stood. Crossed the room slowly.
When he took my hand, his grip was warm. Grounded.
"I love you," he said.
There was no grand gesture. No music swelling in the background. Just truth.
I didn't answer right away. I pulled him gently closer, and kissed him. Not out of relief. Out of certainty.
"I know," I whispered. "I love you too."
He stayed beside me while the medical team came in. Asked questions. Adjusted my sling. Took notes. He didn't move. Just held my other hand and watched everything they did like he was memorizing it.
He had always been the one catching people.
Tonight, I think he realized he could be caught too.
**********
Chapter -- "The Suggestion"
(POV: Anca)
They were already looking for a fix.
You could see it in the producers' eyes. Stress wrapped in pleasantries. Concern disguised as strategy. A fractured star wasn't something they knew how to market. Not when the show had sold out five cities and was headed toward a press run in LA.
So I offered them a solution.
Just five shows. Temporary coverage. A seamless transition. I pitched it like it was nothing. Like I wasn't volunteering to step onto the same wire that nearly broke the girl. I framed it as generous. Responsible. A little nostalgic, even.
I already know the rig. I know Julien's pacing. I've worked this crowd. I can step in without needing weeks of rehearsal.
They listened. Of course they did. I was still the name audiences recognized from Vegas. My face was still on posters in the staff hallway. They were just waiting for someone to make the first bold offer.
I made it.
Later that afternoon, they called us in. Julien. Élodie. Me.
The meeting room was quiet. Tense.
Julien walked in stiff-backed. He looked at me, then at the producers. Then at Élodie, sitting beside him with her cast resting carefully across her lap. She looked smaller than usual, but not weaker.
Marc, one of the producers, cleared his throat. "We've considered a short-term pivot. A five-show placeholder to maintain momentum and press interest. Anca has offered to fill in during Élodie's recovery window."
Julien's jaw flexed. "No."
"It's only temporary," Marc said quickly. "The choreography is already mapped. The story is intact. And Anca--"
"No," Julien repeated. Louder this time.
All eyes turned to Élodie.
She looked at him. Just him. And in the calmest voice I've ever heard, she said, "You taught me the show must go on. Let it go on with her. Just be careful."
He turned to her, as if she had said something unforgivable. But then he saw it.
She wasn't surrendering. She was trusting.
He nodded once. The smallest gesture. But it was enough.
Just like that, the stage was mine again.
Julien didn't look at me as he stood. He just walked out, shoulders rigid.
Élodie met my eyes and smiled.
Not sweet. Not soft.
Just enough to say, I see you. I know.
But the wire would say more.
Soon.
**********
Chapter -- "Practice Makes Friction"
(POV: Julien)
She missed the catch again.
Only by a fraction, but it was enough to throw the dismount. I adjusted too late, the angle skewed, and we both hit the mat harder than necessary. She landed first. I rolled to the side and sat up, breathing through my teeth.
Anca exhaled sharply and pushed herself up. "You were off tempo."
"No," I said, standing. "You were."
We didn't argue further. There was no point.
This was day three of rehearsal. Every sequence felt forced. Every pass too calculated. She was sharp, physically capable, but there was no flow. No give. No breath between movements. We weren't moving together. We were colliding in sequence.
Just like the end of our marriage.
Two artists, too proud to admit they needed each other, too different to make the same rhythm work. Back then, I thought time would fix it. That love would round the edges. But here on the wire, time had only sharpened the contrast.
She was always half a beat behind or one step ahead. And I was always waiting or recovering.
We ran the sequence again. Missed again. I called for a break.
Anca stayed where she was, perched on the platform, eyes distant. Then, finally, she spoke.
"I don't want to lose you again."
The words weren't loud. They weren't dramatic. They just hung there.
I didn't answer.
She stood and faced me, arms crossed tight, voice steadier than I expected. "I made a mistake. I know that. The affair. The way I treated you. I pushed you away and then acted surprised when you left. I was selfish. I saw the spotlight and not what was right in front of me."
Still, I said nothing.
"I should have given you more. A home. A family. You asked for so little, and I gave even less. I'm sorry."
She meant it. At least part of her did.
But what I heard wasn't change.
It was regret. And those aren't the same thing.
I looked at her for a long moment. "Thank you," I said, because I didn't know what else to give her. "But we're not the same people anymore."
She looked away then. Down at the chalk dust on her hands. "Maybe not. But we still move like we used to. That has to mean something."
I shook my head. "It means we remember the steps. That's all."
Then I turned back to the rig.
We had a routine to finish. And five more shows to survive.
**********
Chapter -- "Ghost Notes"
(POV: Élodie)
I wasn't supposed to be there.
The producers had asked me to rest. Doctors insisted on physical therapy and patience. But I couldn't stay away. I told them I was just checking in on the crew. In truth, I had timed my visit to align with their first full rehearsal.
Julien and Anca.
Back on the wire.
I stayed behind the curtain, tucked into the shadows near the second lighting tower. From there, I could see the full rig and both platforms. The wire stretched between them, steady and clean. Everything else was uncertain.
They started the routine.
At first, it was fine. Technically correct. Clean footwork. Steady passes. But after the first pivot, I saw it. The pause. The half-beat hesitation that threw off the balance. Julien recovered quickly, but Anca was already compensating in the wrong direction.
They didn't fall. But they didn't connect.
It was like listening to a duet where both musicians are slightly out of tune. Close enough to trick the casual listener, but anyone paying attention could feel the dissonance.
Julien's face gave little away. Focused. Guarded. But I saw it in his shoulders. In the way his hands hovered just a second longer after each catch, like he wasn't sure she would be where she was supposed to be.
Anca pushed harder with each pass. Reaching. Forcing chemistry that wasn't there anymore. It wasn't malicious. It was desperate. And desperation on the wire always looks like pride.
I didn't stay until the end.
I slipped away before they dismounted, my cast heavy at my side.
There was no jealousy in me. Not exactly. Just a quiet ache. Like watching someone try to rewrite a song you already finished.
They remembered the choreography.
But they had forgotten the music.
I told myself that was enough. That seeing it once was all I needed to understand.
But the next day, I found myself in the wings again. Different seat. Same ache.
I just needed to be sure.
I wasn't supposed to be there.
Technically, I had cleared the hour with the physical therapist. Walking was fine. Sitting too. I just needed to stay off the wire. So I sat near the back of the house, out of sight, cast resting in my lap, watching through the shadows as Julien and Anca rehearsed.
They were good.
Not flawless. Not like us. But sharp. Precise. Cold.
There was no music between them. Just muscle memory. It felt like a conversation where neither person really listened, only waited to speak.
Then came the stumble. Another catch missed. Another roll off the mat. Julien stood first and called for a break.
I thought they would reset and move on. But Anca didn't get up right away. I leaned forward, just enough to hear.
"I don't want to lose you again," she said.
The air between them stilled. She stood, and her voice was clearer now, more practiced, like a line she had rehearsed.
"I made a mistake. The affair. The way I treated you. I pushed you away and then acted surprised when you left. I was selfish."
I froze.
This wasn't for the crew. It wasn't for the producers. It was for him.
"I should have given you more. A home. A family. You asked for so little, and I gave even less."
And in that moment, it all made sense.
Not the show. Not the stage. Not the casting.
Julien.
Why he never looked back. Why he stayed so quiet when I asked about Vegas. Why his eyes sometimes darkened when no one was speaking.
He had already given everything to someone who couldn't hold it.
Now, I understood what he had walked away from. And what he had rebuilt since.
He hadn't needed a reason to return to the wire. He had needed a reason to believe in it again.
And maybe, quietly, I was becoming that reason.
**********
Chapter -- "Smoke and Mirrors"
(POV: Anca)
The wire remembered us.
The second the lights hit and Julien stepped onto the platform across from me, it was like no time had passed. We didn't miss a single beat. The crowd leaned in, then erupted when we nailed the drop-catch near the end. Their applause was thunder. Familiar. Addictive.
I smiled as we exited the stage.
Julien didn't look at me. Not really. He nodded. Professional. Distant.
But the producers noticed. Press noticed. Our names trended together for the first time in years. Articles called it a return to form. The icons of Cirque reunited. A spark re-lit. A story that sells.
It felt good.
I felt the rhythm of things shifting back toward me.
After the third show, I stopped playing humble. I started making suggestions. Small ones. Strategic. I told Marc that audiences were responding well. That the chemistry was authentic. That it made sense to continue through the next leg of the tour. At least until Élodie fully recovered.
I phrased it as caution. As professionalism. I smiled when I said it.
Backstage, I asked questions in earshot of the right people. I mentioned the possibility of overexertion. Of Élodie maybe returning too soon. I asked if the physical therapist had approved stage-level work or just rehab.
I never said she wasn't ready.
I just let others wonder if maybe she wasn't.
By the end of the week, there was a memo drafted. A proposal. I wasn't removed from the cast after the fifth show. I was extended for five more.
Julien didn't find out until the night before.
He said nothing when they told him. Just nodded once, jaw tight, eyes unreadable.
I could feel the wire between us fraying again. Not from missed timing this time, but from something deeper.
Still, the crowd loved it.
That was what mattered.
Because the show wasn't just a comeback.
It was a reclamation.
I wasn't just performing.
I was taking back everything.
Even him.
**********
Chapter -- "Echoes in the Wire"
(POV: Julien)
The wire should have held.
That thought kept circling, even days after the accident. I had inspected that rig myself. Double-checked every anchor, every clip, every tension line. If there had been even a whisper of compromise, I would have heard it. Felt it.
But I didn't. Until it was too late.
After the fourth show with Anca, I stayed late. Told the crew I needed to recalibrate the load offsets for the new drop sequence. It was half true. The other half was quieter, colder.
I went straight to the rig Élodie fell from.
At first glance, everything looked clean. Welds were intact. Cable sheath smooth. But I didn't trust first glances anymore. I climbed the structure slowly, hands methodical, ears tuned to every creak and shift.
And then I saw it.
A load-bearing clamp, secondary anchor, looked right. Perfect, actually. But when I put pressure on the joint, it flexed. Too much. I disengaged the bolt housing and found the thread had been filed. Not broken. Not stripped. Filed. With just enough wear to cause catastrophic failure under dynamic swing.
Not visible from a safety check.
Not even a bad install.
Intentional.
I froze.
My first thought wasn't anger. It was cold. Clinical. Who would know how to do this? Who would know how to file down a bolt so precisely, with just enough give to pass visual, but snap under momentum?
Then the answer hit me.
Anca.
She used to sit with me for hours in the rafters. Watched how I worked. She learned my checks. My redundancies. My habits. She knew how I built safety into the mounts. She knew how to break them without leaving a trace.
I sat back on the catwalk and stared into the dark below. The silence wrapped around me, thick and final.
It hadn't been an accident.
Élodie didn't fall.
She was dropped.
Anca knew exactly how to make it happen.
My breath left in a short, sharp burst. Not fear. Not disbelief.
Rage.
It rose fast--tight and blinding. I gripped the nearest beam so hard my knuckles went white. My jaw locked. Every muscle braced like I was about to launch myself into open air just to scream her name into the void.
She had watched Élodie climb. Had smiled as she stood on that wire. Had smiled knowing it might not hold.
She didn't just sabotage the rig. She aimed it at the one person who never tried to change me. Who never once made me feel small.
And I had let her back in. I had nodded. I had agreed to share the stage.
I wanted to hit something. Break something. Break her.
But instead, I stayed still. Sat in the dark. Let the anger settle into something colder.
I knew what she had done. I knew what it meant.
And now, I knew what had to happen next.
**********
Chapter -- "Return to Form"
(POV: Anca)
The buzz was everywhere.
Articles. Photos. Old interviews dragged back into circulation. Someone posted a grainy video of me and Julien from our first year on tour, soaring in perfect tandem across a sunset-lit rig. The caption read, Legends never fall.
I liked that.
The producers stopped giving me time limits. PR floated a "reunion" narrative, calling it a "legacy pairing reborn." A few backstage crew started whispering again when I walked by, but this time it was with curiosity. Not judgment.
I hadn't felt this relevant in years.
I made myself available for interviews. Posed with fans at the stage door. I let the tabloids speculate. Smiled for the wrong reasons. I even heard someone say we were Cirque's power couple, past and present, together again. I didn't correct them.
Because in my mind, we were almost back to how it was.
The applause. The press. The wire.
And Julien.
He was the last piece to fall back into place.
So I brought wine to his trailer after rehearsal. Same vintage we used to drink after shows. I wore the scent I knew he liked. I tapped the door lightly and let myself in without waiting for permission, just like before.
He was at the counter, wiping chalk from his hands with slow, practiced motions. His back was to me.
"Thought we could toast," I said, holding up the bottle. "Like old times."
He didn't answer.
I set the wine on the small table near the window, unscrewed the cork, poured two glasses. He still hadn't turned around.
"You hear what they're calling us?" I smiled. "The legends. Together again. It's good, right? Feels good."
He finally turned, but not toward me. Just away from the counter, toward the door. "You should go."
"Julien."
"I have nothing to say to you."
I laughed once, softly. "You're really going to pretend we don't still have it?"
He looked at me. Not like a man. Not like a partner. Not even like a stranger.
Like I was something he had finally stopped trying to fix.
"You're right," he said. "We still have something. But it isn't what you think."
He walked past me and opened the door.
I stood there for a second, confused. Angry.
Then I left the glasses on the table and walked out, chin high.
Because I still knew how this worked.
This wasn't the end. Just another scene.
And I always win.
Eventually.
**********
Chapter -- "Nothing Left to Catch"
(POV: Julien)
She used to leave a scent behind when she walked out. Expensive perfume. Jasmine with something sharper underneath. It lingered, once.
Now it just irritated me.
The wine glasses sat untouched on the table, still catching the faint light from the trailer window. Same kind we used to drink. Same brand. Same story. Only I wasn't in it anymore.
Not the way she remembered.
I stood there for a long time after she left. Not thinking. Not pacing. Just still.
There was a time I would have followed her. Said too much. Tried to rewrite something we both knew had cracked long before the final drop. I had chased the silence between us for years, trying to fill it with movement, with wire, with routine. But it never held.
And tonight, for the first time, I didn't feel the pull.
There was nothing left to fix.
No anger. No longing. No spark.
Just the weight of nothing. And in a strange way, it felt like peace.
She believed this was a second chance. But I wasn't falling for her anymore.
And I wasn't going to catch her either.
I had nothing left to give to the past.
But there was still someone I hadn't walked away from.
Not even once.
She was in the physical therapy room, alone.
No techs. No clipboard. Just her, stretching her good arm, slow and careful, while her cast rested in her lap. Her hair was up, a few loose strands falling along her neck, and she didn't hear me come in. I stayed by the doorway for a moment, watching the way she moved.
Even off the wire, she was still performing. Not for anyone else. For herself. Like her body was reminding her it still knew how to fight.
"You're supposed to be resting," I said gently.
She didn't flinch. Just turned toward me with a small smile. "I am. This is the part where I convince my muscles I'm not done yet."
I stepped inside and sat on the bench beside her. The air between us was quiet, easy.
"I saw Anca leave your trailer," she said after a moment. Not an accusation. Just fact.
I nodded. "She brought wine. And a rewrite of our entire history."
Élodie tilted her head, watching me. "Did she get to the part where you fall for her again?"
"No," I said. "Because that chapter's closed."
She studied me for a second longer. Then looked away, focusing on her stretch again.
"I just needed you to know," I said. "Whatever happens out there the next few shows... she's not part of my story anymore. Not really."
"You don't owe me that," she said.
"I know," I replied. "But I wanted to give it anyway."
She didn't answer right away. Then her voice softened. "You didn't flinch when she fell out of your life."
I met her eyes. "I only catch what's worth saving."
She leaned into my shoulder then. Quietly. Like gravity had decided that's where she belonged.
And for the first time all week, I breathed easy.
But peace doesn't last on a wire.
Especially when the next step is shared with someone you no longer trust.
The crowd wanted beauty. The producers wanted control. Anca wanted both.
And all I wanted was to get through the next five shows without someone else getting hurt.
The house was packed.
Third night of the extended run. Press in the front rows. Lights brighter. Expectations higher. I could feel it in the way the crew moved--efficient, clipped. No one lingered. No one talked more than necessary.
And still, something buzzed beneath the surface. Not excitement. Not nerves. Tension. The kind that builds in your jaw and refuses to leave.
I stood backstage, watching the wire sway slightly in the draft from the overhead fans. The rig had passed inspection. Twice. I had checked it myself. And then I had checked it again. Still, I didn't trust it.
Not anymore.
Anca arrived late. Of course she did. Full makeup, pristine costume, smile polished to gleam. She waved at a tech and gave the crew chief a kiss on the cheek. Everyone saw it. That was the point.
She came over. Not close. Just enough for me to hear her.
"You ready to give them something they'll never forget?"
"I'm here to do the job."
She didn't like that answer. Smirk faded, just a fraction. "We used to call it magic."
"No. You did."
She didn't press. She knew better now.
I watched her stretch out her arms, checking her range of motion like it was a ritual. She was loose. Confident. Too confident.
A little voice in the back of my mind whispered again.
Check the rig.
But I had. Three times. It was fine.
Still, something about tonight felt wrong.
When the call came over comms--five minutes to curtain--she straightened and gave me that old stage smile. The one that meant nothing and everything.
"Let's make it perfect," she said.
I didn't respond.
Because I didn't trust the rig.
And I didn't trust her.
Not anymore.
**********
Chapter -- "Élodie's Goodbye"
(POV: Élodie"
I didn't tell anyone I was leaving.
Not officially. Not the cast. Not the crew. I packed my bag in the early morning, the hospital paperwork folded neatly beside my sling. My train back to Quebec was booked for the afternoon.
I wasn't angry. Not bitter. Just tired.
Julien still had five shows to finish with her. And I wasn't going to sit through five nights watching Anca dangle herself across the wire like she belonged there. Like she hadn't broken something sacred and called it ambition.
I watched him from the doorway of the rigging bay. He was doing another solo check, hands moving with that same brutal efficiency I had fallen in love with. No wasted motion. No noise. Just quiet control.
Part of me wanted to walk away without saying a word.
But that wasn't who we were.
I stepped into the room. He didn't look up at first. Then he did.
"You're not supposed to be here," he said.
"I know." I held up my brace slightly. "Not planning to climb anything."
His eyes flicked to the bag on my shoulder. He didn't say anything, but the question was there.
"I'm heading home for a while," I said. "Letting this heal. Giving you space to finish what you started."
He walked over, slow and quiet. "This isn't what I started."
I waited.
He looked tired. Not from rehearsal. From holding too much.
"I don't love her," he said. "Not even a little. I'm not staying for her. I'm staying because the show's not over."
"I know," I said. "But shows end. And when this one does..."
I reached for his hand.
"... survive it. And come home to me."
He didn't speak.
He just held on.
And in that silence, I felt something settle between us. A promise. A weight. A vow.
He would finish this.
Then he would come back.
And we would begin again.
**********
Chapter -- "Final Adjustments"
(POV: Julien)
Marc called just before noon.
The line was filled with congratulations. Applause. Numbers from the last three shows. Praise from execs. They were thrilled with the revival. With the nostalgia. With "how natural it feels having Anca and Julien together again."
They wanted to extend the tour.
Six more cities.
I let him finish. I said the right things. I told him I'd think about it. He hung up happy.
I stared at my phone for a long time after that.
Then I grabbed my bag and walked straight to the rigging bay.
The wire was coiled. The platforms quiet. The catwalks above casting long shadows in the afternoon light. I climbed without gloves. Without music. Just me and the metal.
I moved carefully. Checked the anchors again, but not Élodie's this time.
Anca's.
There, at the top swing point, where she liked to show off. Where she let herself hang just long enough to draw the crowd's breath. I traced the tension point with my fingers.
She had known exactly how to sabotage it. Not sloppy. Not obvious.
It had to be convincing.
I loosened the clamp. Filed the threading just enough. Too subtle for the standard checks. Enough to fail under the weight of a timed swing. I knew exactly where she'd be. What her grip would rely on. Where she expected the rig to hold.
It wouldn't.
Not this time.
I tightened the bolt back into place. Stepped down. Checked the rest.
Nothing looked different.
Nothing would until it was too late.
And when it was, the crowd would never know.
Just like they didn't know the first time.
I climbed down slowly, the silence in the rigging bay louder than any applause I'd ever heard.
I thought I was alone.
But just before I reached the ground, I felt it-
That quiet shift in air. That sense you get when someone else is breathing in your story.
I was closing up the rig bay when Vince walked in.
Old-school. Quiet. One of the few people who'd been with Cirque longer than me. He was carrying a coil of backup line and a clipboard with nothing on it. Which meant this wasn't about gear.
"Thought you left already," I said, not turning.
He shrugged. "Heard you were doing a final pass. Figured I'd come check your work."
That was a joke, mostly. We didn't check each other. Not like that.
Still, I looked up. His eyes were on the catwalks.
"You've been on edge," he said after a beat. "Since the fall."
"So has everyone."
"Yeah," he replied. "But everyone else moved on. You didn't."
I didn't answer. Just pulled the tarp over the crate and tied it off.
He stepped closer. "You know what I hate about highwire guys?"
I raised an eyebrow.
"You're all calm until you're not. Then something burns down."
I let out a breath, small and dry. "I'm fine, Vince."
He studied me. Not like a supervisor. Like a friend.
"Whatever this is... make sure you're not building something you can't walk away from."
I nodded once. Not because I agreed, but because I wanted him to leave.
He did.
But not before glancing up at the swing rig one more time.
Almost like he knew.
Almost.
I stayed after he left.
Long enough for the lights to shut themselves off. Long enough to hear the wire settle.
I told myself it was just nerves.
But it wasn't.
It was weight.
Five minutes to curtain.
The stage crew moved with purpose behind the velvet. The orchestra warmed up. The hum of the crowd bled faintly through the walls like distant waves. Someone laughed near the wardrobe bay. Normal sounds. Familiar. Steady.
I stood just inside the rigging corridor. Out of view. Still in shadow.
My harness was tight. The carabiner looped cleanly through the belt. Gloves on. Chalk dusted. Everything in place.
And yet nothing felt right.
My hands were steady. Too steady. Like they already knew what came next and had made peace with it. My heart wasn't racing. My breath didn't shake.
That scared me more than anything.
This wasn't like the first time.
The first time, I froze when I found the sabotage. Rage had filled the space where reason should have lived. I had spent days trying to understand how someone could do it. Could calculate it.
Now I understood.
I had done the same.
Except I had the choice. No panic. No blind anger. Just math. Just timing. Just intent.
I closed my eyes and saw Élodie's face when she told me to survive it. The quiet in her voice. The belief. She hadn't asked me to win. She had asked me to come home.
And here I was.
Standing in the dark, waiting to trade one fall for another.
I pressed my gloved hand to the side rail. Cool steel. Familiar weight.
Maybe there was still time.
Maybe the curtain hadn't risen yet.
I told myself I'd wait.
But the moment the overture started, I knew, this was it.
The line was drawn. And I was already standing on it.
The audience clapped as the overture faded.
I walked out with Anca under the pre-show lights. Not into the center, not yet. Just behind the veil of the curtain, waiting for our cue. The crew gave the final checks. The platforms gleamed under the rig. High above, the wire stretched like a single line of truth suspended in silence.
Anca leaned over and whispered, "One more time for the history books."
I didn't answer.
She smiled anyway, certain the script was still hers.
The platform creaked slightly as I stepped forward, one foot settling near the launch point. I looked up at the rigging, at the place I had touched with such precision. The filed thread. The quiet betrayal. Still hidden, still lethal.
I thought of Élodie.
The way she had said, come home to me.
Not win. Not punish. Not erase the past.
Come home.
The wire felt cold under my glove. I closed my eyes and remembered what it meant to trust someone in the air. Not just to catch you, but to believe you wouldn't let them fall.
This wasn't justice anymore.
It was a mirror.
And I didn't like the reflection.
I stepped back. Off the platform. Off the path I had drawn.
The crew glanced up. I waved them off. Took a slow breath. Then climbed the ladder again, this time not to sabotage, but to undo.
The bolt came free with a single turn. The anchor reset.
Clean. Safe. Honest.
Anca would never know.
But I would.
And that was enough.
**********
Chapter -- "The Final Flight"
(POV: Julien)
It was our best show.
The irony wasn't lost on me.
Every cue hit. Every hold balanced. Every pass clean. We moved like we used to, like we were still gods of gravity. The crowd responded in waves, rising with each impossible step we took.
But it wasn't real.
Not to me.
It was motion. Memory. A hollow reenactment of a life that no longer belonged to me.
Then came the finale.
Anca turned to me with that same radiant, triumphant smile. The one she used when she thought she had won. She climbed, one hand over the other, up the suspension line to the high swing. The spotlight followed her. The music swelled.
She reached the platform. Stepped out into space.
And leapt.
For a second, the audience held its breath.
Then
The line snapped.
Not loud. Not dramatic. Just a quiet, sickening give of tension.
And Anca fell.
I didn't move.
I didn't reach.
I didn't even raise my eyes.
******
(POV: Anca)
The lights were warm. Brighter than usual. The air crisp at that height.
The wire had held all week. Why wouldn't it tonight?
I felt the swing beneath my feet. I knew the weight of it. The shape of the arc. I had done this finale hundreds of times. More.
And yet, something in the air felt too still.
I smiled anyway.
Because I always smiled.
Because this was mine.
I kicked out, perfect form, arms wide
And the world gave out beneath me.
For the first time in my life, no one caught me.
*****
(POV: Julien)
She hit hard.
No scream. Just the sickening crack of finality.
The audience gasped. Someone screamed. Someone else sobbed.
Stagehands froze. Lights held too long.
Then the curtain dropped.
No music.
No bows.
Just silence.
Total and clean.
**********
Chapter -- "A Crack in the Wire"
(POV: Élodie)
The call came just after midnight.
I was already awake, though I couldn't say why. Some nights were like that. Sleep avoided me, hovering somewhere outside the window. I had been staring at the ceiling of my small apartment in Quebec, one hand resting against the sling still wrapped around my shoulder.
When my phone buzzed, I thought it might be Julien.
But it wasn't.
The message was short. Just a line from Marc, the producer.
Anca is dead. Line failure. Final swing.
I sat up too fast and winced, my brace tugging tight. My first thought wasn't disbelief. It was silence.
I had watched that act a hundred times. Knew its beats, its rhythm. I had run it with Julien before she ever touched the wire. She was careful, flashy, calculating. But she knew her body. She didn't fall. Not without cause.
I stood and walked to the window, trying to find my breath in the dark.
Was it sabotage?
Was it karma?
Was it just gravity finally calling in a debt?
I didn't know.
All I knew was that Julien had been there. On stage. In that moment.
And whatever line snapped up there, something else snapped inside him too.
I didn't text. I didn't call.
I just whispered the same thing I had said before he left.
"Come home."
**********
Chapter -- "No Encore"
(POV: Julien)
The investigation was swift. Cold. Exacting.
HQ suspended the tour within twenty-four hours. The theater was locked down. Crew pulled into interviews. Reports filed. Engineers brought in from Montreal and Paris. I answered every question like I was reading from a script. Calm. Clean. Cooperative.
They examined the rig. All of it. Every anchor, bolt, and swing line. I stayed late the night before the auditors arrived, alone in the rafters. I brought the tools I trusted, the gloves I always wore, and the silence I had lived in for years.
I climbed the old platform, the one Anca had fallen from. I undid the rig she had tampered with. The failure point she had built into Élodie's line. I stripped it back and replaced it with the original specs. Reinforced threading. Full support. Triple-check configuration.
Then I climbed to the other platform.
The one I had altered.
It took only minutes to undo what I had done. To erase the precision. To restore the integrity. I moved carefully. Slowly. Not because I was afraid of being caught, but because I wanted to remember every movement. I wanted it to cost me.
When the investigators arrived, they found nothing.
Anca's death was ruled an equipment failure. A tragic flaw in a decades-old support system. Something that slipped through checks. Something no one saw coming. The press accepted it. The audience moved on.
And I let them.
No one would ever know what really happened in those last days. Not the crew. Not the producers. Not even Élodie.
The secret stayed in the steel.
And the price, quietly, was mine to carry.
I left Vegas two days later. No announcement. No interviews. No goodbyes.
Just the silence I'd earned and the ticket in my hand.
And at the end of that line, a door I hoped she'd still open.
She opened the door in bare feet and an oversized sweater. Her hair was damp from a shower, her eyes still swollen with sleep. When she saw me, she didn't speak. Just blinked twice, like I might vanish.
I didn't.
I stepped inside, dropped my bag by the radiator, and held out the small box I had carried in my coat pocket the entire train ride. It wasn't dramatic. No speech. No preamble. Just me, standing there, trying to keep my voice steady.
"I want to come home," I said. "Not just to you. But with you."
Her hand flew to her mouth. She didn't cry right away. She laughed first. Soft, unsure, almost like she didn't trust it. Then she stepped forward and said yes against my chest.
We didn't talk much after that. Didn't need to.
We made dinner out of leftovers and sat on the couch, eating in quiet fits of laughter and glances that said more than words could. Later, we lay in bed, her back against me, her breathing deep and steady.
She was asleep within minutes.
I wasn't.
I stared at the ceiling for a long time. The quiet of her apartment was different than the quiet of the catwalks. Softer. Warmer. But it still had weight. I thought of Anca's last smile. The way her fingers had stretched into open air before the swing gave way. I thought of the moment I didn't move.
I had chosen this ending.
And I would live with it.
Not out of guilt.
Out of memory.
Out of love for the woman beside me, and the woman who never gave it back.
The world didn't stop when I came home.
It spun louder. Faster. Hungrier.
While Élodie and I pieced our lives together in silence, the headlines filled the air like static. Everyone wanted a version of the fall.
Just not the truth.
Montreal was quiet. A strange kind of quiet that followed headlines and hushes. I watched it all unfold from the small couch in my apartment, Élodie's coffee mug still drying in the rack beside the sink. The news didn't care about nuance. It never had. It wanted blood or glory. Nothing in between. And Anca's fall gave them both.
The first headline hit within the hour. "Cirque Tragedy: Performer Dies Mid-Show." The image was old, taken from her Vegas years, all sequins and false light. The next day it was "Wire Malfunction Blamed in Death of Cirque Veteran." Then came the videos. Grainy audience clips, half-muted gasps, the silence after the fall. The world watched what I didn't stop. What I chose not to stop.
Cirque HQ scrambled. They suspended all touring wire acts immediately. Meetings stacked on meetings. Safety reviews launched across every production, every rig, every city. Internal memos bled panic behind their bullet points. Publicly, it was professionalism. Internally, it was damage control.
A rep from Montreal called two days later. Asked me if I would offer a statement. I told them no. Not unless it was off the record. She asked why. I said because statements are for the living, and this one didn't belong to me.
For every article that painted her as a star lost too soon, there were three others speculating about pressure. About rivalry. About ambition. One even floated the idea of sabotage, but quietly, tucked behind disclaimers and anonymous sources. Cirque denied it, of course. The final report blamed fatigue, design fatigue, metal fatigue. Everything except the truth.
Behind the scenes, they began rewriting protocol. Additional checks. New cross-verification forms. Every bolt logged. Every clamp photographed. I even heard talk about ending all high-wire finales in touring acts. Too risky, they said. Too much room for uncertainty. No one said sabotage again. But they didn't have to. The silence was enough.
I sat through every broadcast. Every clip. Every manufactured tribute. I didn't turn it off. Not out of punishment. Out of responsibility. Out of memory. Because someone had to witness it without dressing it up. Without cutting to commercial. Just as it was.
The world moved on faster than I expected. It always does. But here, in this small apartment, in this city we never performed in together, I stayed still. Not in mourning. Not in guilt. But in remembrance. Of who she was. Of who I became. Of the wire between those truths, and the moment it finally broke.
We left the city not long after.
No press. No send-off. Just bags in the trunk and the quiet kind of road that doesn't ask questions.
The further we drove, the more everything softened, headlines, whispers, memory.
Until all that was left was the rustle of wind through the trees and the sound of her voice
The air smelled like pine and woodsmoke.
We found the cottage by accident. An older couple was selling it just outside Saint-Adolphe, tucked between a frozen lake and a ridge of trees that swallowed the sky by noon. There was no reception. No traffic. Just the wind across the snow and the soft creak of timber when the sun shifted.
Élodie said it felt like an exhale. I agreed.
I told her I didn't want to perform again. Not even in small shows. Not even for fun. The wire would always be a part of me, but I didn't need it anymore. Not the spotlight. Not the applause. I just wanted something real. Something quiet. Something ours.
She nodded without hesitation.
We signed the papers within the week.
Her arm healed in stages. Some days were better than others. When it ached, she would sit by the fireplace and hum softly to herself, tracing the curve of her forearm like a promise. I started working with the local youth center, quietly offering to help with balance and movement classes. They didn't know who I was. I liked it that way.
We married under an open sky with snow still clinging to the trees. No stage. No rig. Just us, a handful of friends, and a silence that didn't need to be filled.
Sometimes, when I chop wood at dusk or walk the edge of the lake while Élodie sketches in the window, I remember what I almost became. What I almost lost. What I could never forgive.
But I don't carry it with me anymore.
That wire, the one stretched thin between love and vengeance, broke for good.
And I never plan to walk it again.
The dreams come less often now. But when they do, they stay longer.
Sometimes I'm on the wire again, arms out, breath still, watching Anca swing through the light like she used to. In the good versions, I reach her. I catch her. We land together and the audience roars. Then I wake up to Élodie breathing beside me and wonder if that version ever existed at all.
In the other dreams, I fall too.
She grabs me on the way down. Her hands pull, her weight anchors mine, and the wire gives way for both of us. I wake before we hit, but the fear lingers. Not fear of dying. Fear of being remembered for the wrong version of myself.
I never told Élodie everything. Not the filed clamp. Not the second thoughts. Not the moment I stood still when I could have moved. She asked once, gently, if I ever felt responsible. I said yes. That was the truth. Just not all of it.
Today I buried the rest.
Behind the cottage, where the pines grow close together, I dug a small hole beneath the roots. I placed the knot first, pulled from the failed rig the day after the show. Then the photo. We were young in it, laughing under cheap lights, sweat still fresh from the performance. Last, the letter. Unsent. Anca had left it folded in my old locker. Her handwriting was small, precise. It ended with one word. Forgive.
I covered the box and pressed the soil flat with my palms. The dirt was cold. The knot still smelled faintly of resin and steel.
I stood there a long time.
Not to mourn.
Not to justify.
Just to accept.
Because some things we let go of by holding them one last time.
And then leaving them in the ground.
**********
Chapter -- "Stillness"
(POV: Élodie)
The lake thawed early this year.
I sit on the porch with my feet up, a blanket wrapped around my shoulders even though the sun is warm. The baby kicks lightly beneath my ribs. I smile at nothing, the kind of smile that comes when silence feels earned.
Julien is out by the rig, the small practice one we built together last fall. He's showing a group of local kids how to move across the beam without looking down. He always starts with trust. Always reminds them the body remembers what the mind forgets.
He laughs now. More than he used to. There's still something guarded in him, but it softens around the edges. The kind of calm that doesn't come easy. Or cheap.
He sleeps most nights. I know because I watch him breathe. His brow doesn't furrow like it did that first winter. Some nights he still gets quiet, but the weight he carries doesn't seem to bend him anymore. He walks straighter. Stays present. Looks forward.
I rest my hand against my belly and watch the sun catch in his hair as he demonstrates a balancing pivot. The kids cheer. He grins. And just for a second, he looks young again.
"He saved me," I whisper. I don't know why I say it aloud.
I don't know how true it is.
Maybe we saved each other.
Maybe that's enough.
**********
Chapter -- "The Wire Remembers"
(POV: Julien)
The trees were just far enough apart.
Tall pines with bark like worn rope and branches that reached without touching. I rigged the line myself. Nothing fancy. No tensioners. No anchors drilled into steel. Just rope, knots, and the kind of trust you only earn by losing it first.
It was dusk. The wind moved through the clearing in slow passes, brushing the grass and whispering things I didn't need to hear. I stepped onto the line barefoot, arms relaxed at my sides. No crowd. No lights. No music.
Just me.
The wire bent slightly under my weight. Familiar. Honest. I took a few steps, then closed my eyes. Let my body remember what it meant to shift, to counter, to breathe with the earth instead of against it.
Midway across, I let myself sway.
Not dangerously. Just enough to feel the edge.
For a second, I wondered what it would be like to fall. No harness. No second chances. Just the clean break of gravity taking over.
But I didn't.
I opened my eyes.
I kept walking.
"Forgiveness isn't weightless. But some things are worth carrying across."
**********
Epilogue -- "The Line We Leave"
(POV: Julien)
The rig's different now.
Lower, for one. Safer. Fewer bolts, simpler anchors. Just enough height to teach respect, not fear. It creaks when it rains and hums in the wind, but it holds.
I built it for her. Years ago. Before the pines grew thick around the clearing. Before we had anyone else to climb it.
Now it's theirs.
Our daughter took to it first. Balanced before she could ride a bike. Quiet like me, stubborn like Élodie. Our son came after, louder, lighter, always jumping before we said he could. He laughs when he falls. She doesn't. She resets.
Some evenings, we all go out together. Élodie checks the knots while I adjust the line tension. The kids chase each other barefoot across the pads. They don't know what the wire was to us, not fully. Only that it's part of their world now. A thing we do. A thing we share.
I don't perform anymore. Haven't in years. But I still walk the line sometimes. Usually when the sun's low and the light goes gold across the grass. The wire catches it just enough to glow.
They watch me, our kids, like I'm doing something impossible. But I'm not.
I'm just walking. The way I was taught. The way I taught them.
No crowd. No score. No fall worth fearing.
Just a line stretched between who I was and who I get to be now.
Their father.
Her partner.
Still tethered.
And still steady.
"Dinner's ready, tightrope boy," she calls from the porch, voice smiling.
I nod once, let the wire settle, and climb down.
Some things, it turns out, are worth carrying across.
_____________
Notes from the Wyld:
This idea came to me while watching an episode of How Do They Fix That?, where they were repairing a backstage lift system for a Vegas show. Somewhere between the hydraulic piston teardown and a discussion about load-bearing tolerances, I thought, "Hm. Emotional collapse really is just structural failure with better lighting." So naturally, it spiraled into rigged sabotage, highwire betrayal, and a quiet man with a wrench and unresolved trauma.
Anyway, thank you to educational programming for once again turning minor technical maintenance into a full-blown existential metaphor.
Also, for those asking about Airspace: yes, there's a sequel coming. No, I don't know when. My wife is taking the lead this time, but progress is slow, she's currently down to one functional arm until the end of June. That said, based on what she's managed to dictate into her iPhone notes, I already feel bad for Brandy. And that's saying something.
P. S. Melody's Silence: Unwritten Orders is almost done. And no, I'm not saying that in a George R. R. Martin kind of way. It's actually happening. It's not a mystery like the original. It's more of a segue into what comes next.
And what is next after Unwritten Orders, you might ask? That would be an idea my wife came up with. Which, quite frankly, terrifies me. The concept is brilliant, unsettling, and disturbingly plausible. And to think I sleep next to and am physically intimate with someone capable of something so diabolical.
Anyway. Stay tuned. Probably don't cross her.
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